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How To Add The Layer Box In Photoshop

  1. Photoshop User Guide
  2. Introduction to Photoshop
    1. Dream information technology. Make it.
    2. What'south new in Photoshop
    3. Edit your get-go photo
    4. Create documents
    5. Photoshop | Mutual Questions
    6. Photoshop system requirements
    7. Migrate presets, actions, and settings
    8. Get to know Photoshop
  3. Photoshop and Adobe services
    1. Work with Illustrator artwork in Photoshop
    2. Substance 3D Materials for Photoshop
    3. Photoshop and Adobe Stock
    4. Use the Capture in-app extension in Photoshop
    5. Creative Cloud Libraries
    6. Creative Cloud Libraries in Photoshop
    7. Use the Touch Bar with Photoshop
    8. Filigree and guides
    9. Creating deportment
    10. Disengage and history
  4. Photoshop on the iPad
    1. Photoshop on the iPad | Common questions
    2. Get to know the workspace
    3. System requirements | Photoshop on the iPad
    4. Create, open, and export documents
    5. Add photos
    6. Work with layers
    7. Draw and paint with brushes
    8. Make selections and add masks
    9. Retouch your composites
    10. Work with adjustment layers
    11. Arrange the tonality of your composite with Curves
    12. Employ transform operations
    13. Crop and rotate your composites
    14. Rotate, pan, zoom, and reset the canvas
    15. Work with Type layers
    16. Work with Photoshop and Lightroom
    17. Get missing fonts in Photoshop on the iPad
    18. Japanese Text in Photoshop on the iPad
    19. Manage app settings
    20. Touch shortcuts and gestures
    21. Keyboard shortcuts
    22. Edit your image size
    23. Livestream as you create in Photoshop on the iPad
    24. Correct imperfections with the Healing Brush
    25. Create brushes in Capture and use them in Photoshop
    26. Work with Camera Raw files
    27. Create and piece of work with Smart Objects
    28. Adjust exposure in your images with Dodge and Burn
  5. Photoshop on the web beta
    1. Mutual questions | Photoshop on the web beta
    2. Introduction to the workspace
    3. Organization requirements | Photoshop on the web beta
    4. Keyboard shortcuts | Photoshop on the web beta
    5. Supported file types | Photoshop on the web beta
    6. Open and work with deject documents
    7. Collaborate with stakeholders
    8. Use express edits to your cloud documents
  6. Cloud documents
    1. Photoshop cloud documents | Common questions
    2. Photoshop cloud documents | Workflow questions
    3. Manage and work with deject documents in Photoshop
    4. Upgrade cloud storage for Photoshop
    5. Unable to create or relieve a cloud certificate
    6. Solve Photoshop cloud document errors
    7. Collect cloud document sync logs
    8. Share access and edit your deject documents
    9. Share files and annotate in-app
  7. Workspace
    1. Workspace basics
    2. Learn faster with the Photoshop Discover Panel
    3. Create documents
    4. Use the Touch Bar with Photoshop
    5. Tool galleries
    6. Operation preferences
    7. Utilize tools
    8. Touch gestures
    9. Touch capabilities and customizable workspaces
    10. Technology previews
    11. Metadata and notes
    12. Default keyboard shortcuts
    13. Bear upon capabilities and customizable workspaces
    14. Identify Photoshop images in other applications
    15. Preferences
    16. Default keyboard shortcuts
    17. Rulers
    18. Bear witness or hibernate non-printing Extras
    19. Specify columns for an image
    20. Undo and history
    21. Panels and menus
    22. Place files
    23. Position elements with snapping
    24. Position with the Ruler tool
    25. Presets
    26. Customize keyboard shortcuts
    27. Grid and guides
  8. Web, screen, and app pattern
    1. Photoshop for design
    2. Artboards
    3. Device Preview
    4. Copy CSS from layers
    5. Slice web pages
    6. HTML options for slices
    7. Modify slice layout
    8. Work with web graphics
    9. Create web photo galleries
  9. Image and color basics
    1. How to resize images
    2. Work with raster and vector images
    3. Image size and resolution
    4. Acquire images from cameras and scanners
    5. Create, open up, and import images
    6. View images
    7. Invalid JPEG Marker error | Opening images
    8. Viewing multiple images
    9. Customize color pickers and swatches
    10. High dynamic range images
    11. Match colors in your image
    12. Convert between color modes
    13. Color modes
    14. Erase parts of an image
    15. Blending modes
    16. Cull colors
    17. Customize indexed color tables
    18. Image data
    19. Distort filters are unavailable
    20. About color
    21. Color and monochrome adjustments using channels
    22. Cull colors in the Colour and Swatches panels
    23. Sample
    24. Color fashion or Image manner
    25. Colour bandage
    26. Add a conditional style change to an activity
    27. Add together swatches from HTML CSS and SVG
    28. Bit depth and preferences
  10. Layers
    1. Layer basics
    2. Nondestructive editing
    3. Create and manage layers and groups
    4. Select, group, and link layers
    5. Place images into frames
    6. Layer opacity and blending
    7. Mask layers
    8. Apply Smart Filters
    9. Layer comps
    10. Motion, stack, and lock layers
    11. Mask layers with vector masks
    12. Manage layers and groups
    13. Layer furnishings and styles
    14. Edit layer masks
    15. Extract assets
    16. Reveal layers with clipping masks
    17. Generate paradigm assets from layers
    18. Work with Smart Objects
    19. Blending modes
    20. Combine multiple images into a grouping portrait
    21. Combine images with Motorcar-Blend Layers
    22. Marshal and distribute layers
    23. Re-create CSS from layers
    24. Load selections from a layer or layer mask's boundaries
    25. Knockout to reveal content from other layers
    26. Layer
    27. Flattening
    28. Composite
    29. Background
  11. Selections
    1. Select and Mask workspace
    2. Brand quick selections
    3. Become started with selections
    4. Select with the marquee tools
    5. Select with the lasso tools
    6. Select a color range in an image
    7. Arrange pixel selections
    8. Convert between paths and selection borders
    9. Channel nuts
    10. Movement, copy, and delete selected pixels
    11. Create a temporary quick mask
    12. Salve selections and alpha channel masks
    13. Select the image areas in focus
    14. Duplicate, split up, and merge channels
    15. Channel calculations
    16. Choice
    17. Bounding box
  12. Epitome adjustments
    1. Perspective warp
    2. Reduce camera shake blurring
    3. Healing castor examples
    4. Consign color lookup tables
    5. Adjust image sharpness and mistiness
    6. Understand color adjustments
    7. Employ a Brightness/Contrast adjustment
    8. Arrange shadow and highlight particular
    9. Levels adjustment
    10. Conform hue and saturation
    11. Adjust vibrance
    12. Arrange color saturation in image areas
    13. Make quick tonal adjustments
    14. Apply special color effects to images
    15. Raise your image with colour balance adjustments
    16. High dynamic range images
    17. View histograms and pixel values
    18. Match colors in your paradigm
    19. How to crop and straighten photos
    20. Convert a color image to black and white
    21. Adjustment and fill layers
    22. Curves adjustment
    23. Blending modes
    24. Target images for press
    25. Suit color and tone with Levels and Curves eyedroppers
    26. Adjust HDR exposure and toning
    27. Filter
    28. Blur
    29. Dodge or burn down image areas
    30. Brand selective colour adjustments
    31. Replace object colors
  13. Adobe Photographic camera Raw
    1. Camera Raw system requirements
    2. What'due south new in Photographic camera Raw
    3. Introduction to Camera Raw
    4. Create panoramas
    5. Supported lenses
    6. Vignette, grain, and dehaze effects in Photographic camera Raw
    7. Default keyboard shortcuts
    8. Automatic perspective correction in Camera Raw
    9. How to make not-destructive edits in Camera Raw
    10. Radial Filter in Photographic camera Raw
    11. Manage Camera Raw settings
    12. Open, process, and save images in Camera Raw
    13. Repair images with the Enhanced Spot Removal tool in Camera Raw
    14. Rotate, crop, and conform images
    15. Adjust colour rendering in Photographic camera Raw
    16. Characteristic summary | Adobe Camera Raw | 2018 releases
    17. New features summary
    18. Process versions in Photographic camera Raw
    19. Make local adjustments in Photographic camera Raw
  14. Prototype repair and restoration
    1. Remove objects from your photos with Content-Aware Make full
    2. Content-Enlightened Patch and Move
    3. Retouch and repair photos
    4. Right epitome distortion and dissonance
    5. Bones troubleshooting steps to fix almost problems
  15. Image transformations
    1. Transform objects
    2. Adjust crop, rotation, and canvas size
    3. How to crop and straighten photos
    4. Create and edit panoramic images
    5. Warp images, shapes, and paths
    6. Vanishing Betoken
    7. Utilize the Liquify filter
    8. Content-enlightened scaling
    9. Transform images, shapes, and paths
    10. Warp
    11. Transform
    12. Panorama
  16. Drawing and painting
    1. Paint symmetrical patterns
    2. Draw rectangles and modify stroke options
    3. About drawing
    4. Describe and edit shapes
    5. Painting tools
    6. Create and modify brushes
    7. Blending modes
    8. Add color to paths
    9. Edit paths
    10. Paint with the Mixer Brush
    11. Brush presets
    12. Gradients
    13. Gradient interpolation
    14. Fill up and stroke selections, layers, and paths
    15. Draw with the Pen tools
    16. Create patterns
    17. Generate a blueprint using the Blueprint Maker
    18. Manage paths
    19. Manage blueprint libraries and presets
    20. Describe or paint with a graphics tablet
    21. Create textured brushes
    22. Add together dynamic elements to brushes
    23. Gradient
    24. Paint stylized strokes with the Art History Castor
    25. Paint with a pattern
    26. Sync presets on multiple devices
  17. Text
    1. Work with OpenType SVG fonts
    2. Format characters
    3. Format paragraphs
    4. How to create type furnishings
    5. Edit text
    6. Line and character spacing
    7. Arabic and Hebrew type
    8. Fonts
    9. Troubleshoot fonts
    10. Asian type
    11. Create type
    12. Text Engine fault using Type tool in Photoshop | Windows 8
    13. World-Ready composer for Asian Scripts
    14. How to add together and edit the text in Photoshop
  18. Video and animation
    1. Video editing in Photoshop
    2. Edit video and animation layers
    3. Video and animation overview
    4. Preview video and animations
    5. Paint frames in video layers
    6. Import video files and image sequences
    7. Create frame animations
    8. Creative Deject 3D Blitheness (Preview)
    9. Create timeline animations
    10. Create images for video
  19. Filters and effects
    1. Use the Liquify filter
    2. Use the Blur Gallery
    3. Filter nuts
    4. Filter effects reference
    5. Add Lighting Furnishings
    6. Use the Adaptive Wide Angle filter
    7. Use the Oil Paint filter
    8. Layer effects and styles
    9. Apply specific filters
    10. Smudge paradigm areas
  20. Saving and exporting
    1. Save your files in Photoshop
    2. Export your files in Photoshop
    3. Supported file formats
    4. Save files in graphics formats
    5. Motion designs betwixt Photoshop and Illustrator
    6. Save and export video and animations
    7. Save PDF files
    8. Digimarc copyright protection
  21. Press
    1. Print 3D objects
    2. Print from Photoshop
    3. Impress with color direction
    4. Contact Sheets and PDF Presentations
    5. Print photos in a pic bundle layout
    6. Print spot colors
    7. Duotones
    8. Print images to a commercial printing press
    9. Ameliorate color prints from Photoshop
    10. Troubleshoot printing problems | Photoshop
  22. Automation
    1. Creating actions
    2. Create data-driven graphics
    3. Scripting
    4. Process a batch of files
    5. Play and manage actions
    6. Add conditional actions
    7. Nigh deportment and the Actions panel
    8. Record tools in actions
    9. Add together a conditional mode change to an action
    10. Photoshop UI toolkit for plug-ins and scripts
  23. Colour Direction
    1. Agreement color management
    2. Keeping colors consistent
    3. Colour settings
    4. Piece of work with colour profiles
    5. Color-managing documents for online viewing
    6. Color-managing documents when printing
    7. Color-managing imported images
    8. Proofing colors
  24. Content authenticity
    1. Acquire near content credentials
    2. Identity and provenance for NFTs
    3. Connect accounts for artistic attribution
  25. 3D and technical imaging
    1. Photoshop 3D | Common questions around discontinued 3D features
    2. Creative Deject 3D Animation (Preview)
    3. Print 3D objects
    4. 3D painting
    5. 3D panel enhancements | Photoshop
    6. Essential 3D concepts and tools
    7. 3D rendering and saving
    8. Create 3D objects and animations
    9. Prototype stacks
    10. 3D workflow
    11. Measurement
    12. DICOM files
    13. Photoshop and MATLAB
    14. Count objects in an image
    15. Combine and convert 3D objects
    16. 3D texture editing
    17. Adjust HDR exposure and toning
    18. 3D panel settings

About adjustment and make full layers

An adjustment layer applies color and tonal adjustments to your image without permanently changing pixel values. For case, rather than making a Levels or Curves adjustment directly to your image, you can create a Levels or Curves adjustment layer. The color and tonal adjustments are stored in the adjustment layer and utilize to all the layers below it; you can correct multiple layers by making a single aligning, rather than adjusting each layer separately. You tin discard your changes and restore the original image at any time.

Fill layers let yous fill a layer with a solid colour, a gradient, or a pattern. Unlike aligning layers, fill layers do not affect the layers underneath them.

Adjustment layers provide the following advantages:

  • Nondestructive edits. Y'all can attempt different settings and re‑edit the adjustment layer at any fourth dimension. You tin also reduce the consequence of the adjustment by lowering the opacity of the layer.

  • Selective editing. Paint on the adjustment layer's image mask to apply an aligning to part of an epitome. Later you can control which parts of the image are adjusted by re-editing the layer mask. You lot tin vary the adjustment past painting on the mask with different tones of grey.

  • Power to apply adjustments to multiple images. Copy and paste aligning layers betwixt images to apply the same color and tonal adjustments.

Adjustment layers have many of the aforementioned characteristics equally other layers. You can adjust their opacity and blending manner, and you tin can group them to apply the adjustment to specific layers. Likewise, yous can plow their visibility on and off to apply or preview the effect.

Photoshop adjustment and fill layers

Original (left); adjustment layer practical to barn just (center), which brings out detail in the barn; and adjustment layer applied to entire epitome (right), which lightens the unabridged image and pixelates the clouds

Because aligning layers contain adjustment data rather than pixels, they increment file size far less than standard pixel layers. If yous are working with an unusually large file, however, yous may desire to reduce file size past merging adjustment layers into pixel layers.

Create and confine adjustment and fill layers

Adjustment and make full layers have the same opacity and blending mode options as image layers. You can rearrange, delete, hide, and duplicate them only as you lot do image layers.

Photoshop Adjustment and fill layers

Adjustment and fill layers

A. Adjustment layer confined to "Log home" layer onlyB. Layer thumbnailC. Fill layerD. Layer mask

Create an adjustment layer

    • Click the New Adjustment Layer button at the bottom of the Layers console, and choose an aligning layer type.

    • Choose Layer > New Adjustment Layer, and choose an choice. Proper name the layer, ready layer options, and click OK.

    To confine the effects of an aligning layer to specific image layers, select the image layers, choose Layer > New > Group From Layers, and change the Mode from Pass Through to any other blending manner. Then identify the adjustment layer at the top of the layer group.

Create a fill layer

To create a fill layer, exercise one of the following:

  • Choose Layer > New Fill Layer, and choose an option - Solid Color, Gradient, or Pattern. Proper name the layer, fix layer options, and click OK.
  • Click the New Adjustment Layer push button at the lesser of the Layers console, and choose a fill layer blazon - Solid Colour, Gradient, or Blueprint.

Solid Colour

Fills the adjustment layer with the current foreground color. Employ the Color Picker to select a different a fill color.

Gradient

Click the slope to brandish the Slope Editor, or click the inverted arrow and cull a gradient from the pop‑up panel. Set additional options if desired.

  • Fashion specifies the shape of the gradient.
  • Bending specifies the angle at which the gradient is applied.
  • Scale changes the size of the gradient.
  • Opposite flips the orientation of the gradient.
  • Dither reduces banding by applying dithering to the slope.
  • Align With Layer uses the bounding box of the layer to summate the gradient fill. You can drag in the image window to move the center of the gradient.

Pattern

Starting time with Photoshop 21.ii, you can as well set up an angle to rotate the fill up layer's pattern and easily change its orientation.

In the Design Make full dialog, choose a pattern from the pop‑up bill of fare. Set the following options as required:

  • Bending specifies the angle at which the blueprint is applied. Set the angle selector at a certain degree or manually type in an bending value to rotate your pattern at the desired angle.
  • Calibration changes the size of the blueprint. Enter a value or drag the slider.
  • Link With Layer moves the pattern along with the layer as the layer moves. When selected, you can elevate in the paradigm to position the design while the Blueprint Make full dialog box is open.
  • Snap To Origin makes the origin of the design the same every bit the origin of the certificate.

Confine adjustment and fill up layers to specific areas

To confine adjustment and make full layers to specific areas, use layer masks. By default, adjustment and make full layers automatically have layer masks, indicated by the mask icon to the right of the layer thumbnail. (To create adjustment layers without masks, deselect Add Mask by Default in the Adjustments panel menu.)

To change the shape of a mask on an existing layer, encounter Edit a layer mask. To create a new adjustment or fill layer with a mask of specific shape, consummate i of the following procedures.

Create an adjustment or fill layer mask using a option or path

  1. In the Layers panel, select the layer to which yous want to use the adjustment or fill layer.

  2. In the paradigm, create a pixel selection, or create and select a closed path.

    A selection confines the new adjustment or fill layer with a layer mask. A path confines the new adjustment or make full layer with a vector mask.

  3. Create an adjustment or fill layer.

Create an aligning layer mask using a color range

The Color Range feature, which is useful for creating a option area based on sampled colors in an epitome, can too be used to create an adjustment layer mask. For more information, see Select a color range.

  1. In the Layers panel, select the layer to which y'all want to utilize the adjustment layer.

  2. Cull Layer > New Adjustment Layer, and choose an adjustment type.

  3. In the Masks section of the Properties panel, click Colour Range.

  4. In the Color Range dialog box, choose Sampled Colors from the Select menu.

  5. Select Localized Colour Clusters to build a mask based on different color ranges in the image.

  6. Set the display option to Selection, and Selection Preview to None.

  7. Click a color area in the prototype.

    To sample multiple areas, hold downwardly Shift to activate the plus eyedropper. Hold down Alt (Windows) or Option (Mac OS) to activate the minus eyedropper.

    Every bit yous click on image areas, you tin preview the mask in the Color Range dialog box. White areas are unmasked pixels, black areas masked, and greyness areas partially masked.

  8. Use the Fuzziness slider to increase or subtract the range of colors effectually your sample colors that are included in the masked area. Employ the Range slider to control how far or about a colour must be from the sample points to be included in the mask. Subsequently adjusting the mask, click OK to shut the Color Range dialog box.

  9. Modify the adjustment every bit needed in the Properties panel.

    The adjustment is but practical to the unmasked (or partially masked) areas of the image. If necessary click Colour Range over again to make further adjustments to the adjustment layer mask.

Edit or merge adjustment and fill up layers

Editing adjustment and fill layers

Y'all can edit an adjustment or make full-layer setting. You can besides edit the mask of an aligning or make full layer to control the effect that the layer has on the epitome. By default, all areas of an adjustment or fill up layer are "unmasked" and are therefore visible. (See Virtually layer and vector masks.)

Change adjustment and make full layer options

    • Double-click the adjustment or fill-layer thumbnail in the Layers panel.

    • Choose Layer > Layer Content Options.

  1. Make the desired changes in the Properties panel.

    Inverted aligning layers practise not have editable settings.

Merging aligning or fill up layers

Y'all can merge an aligning or fill up layer several means: with the layer below it, with the layers in its own grouped layer, with other selected layers, and with all other visible layers. Y'all cannot, however, use an adjustment or fill layer as the target layer for a merge. When y'all merge an adjustment or fill layer with the layer beneath it, the adjustments are rasterized and go permanently applied inside the merged layer. Yous tin too rasterize a fill layer without merging it. (Run into Rasterize layers.)

Adjustment and fill layers whose masks comprise only white values do non add significantly to the file size, and then information technology is non necessary to merge these adjustment layers to conserve file space.

Source: https://helpx.adobe.com/photoshop/using/adjustment-fill-layers.html.html

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